![]() It captured some of the magic of what it means to be alive. It told stories about what it meant to experience life-the good, the bad, the whimsical, the horrible, and the fantastic. The talent to recreate in language, the experience of life is, has to be God-given.” That’s what “The Twilight Zone” did. In one of Serling’s many excellent quotes, he says, “All writers are born, they are never made. Or about hillbillies bringing their dogs to heaven. Or about a drunk gunslinger getting a second chance at life. But it also told beautiful stories about an old man cheating death to save a little girl. Yes, it told dark stories about aliens taking over the world. Yes, it packed a moral punch and convicted the audience. The original “Twilight Zone” made no such condemnations. In the Church of Social Justice, there is no redemption, only judgment. Every episode is a fire-and-brimstone sermon on all the ways we’re racist, biased, and sexist. One very simple criticism is that the new “Twilight Zone” is just a bummer. ![]() The Original Focused on the Magic of Human Experience Instead of having to reconcile our differences with the past, the show is simply rewritten to suit today’s cultural norms. Change a “him” to “one.” Make all the protagonists female. So how can today’s rebooters still admire Serling and his work? By projecting their own values onto him and sanitizing his work for today’s audience. In the episode, “Long Live Walter Jameson,” a man quips that his fiancé might have to be the primary breadwinner in their family-an obvious joke meant to playfully scandalize a 1960s audience. ![]() All the original “Twilight Zone” astronauts were white males. The original series portrays the gender norms, patriotism, and theology that almost anyone in their time would have espoused. They were straight white men, veterans of World War II. Serling and his peers were born in 1920s America. Color Me Black” deal with racism and fear of the outsider.ĭespite this, he was not the ideal hero of today’s social justice elite. Other episodes like “The Obsolete Man,” and “The Mirror” tackled the totalitarian regimes that dominated the era. He also wrote “The Shelter,” a vicious indictment of nuclear war, the mob mentality, and the breakdown of civility. He wrote famous episodes like “The Monsters Are Due on Maple Street,” which decried the communist witch-hunts of the McCarthy era. ![]() He didn’t shy from controversial topics of the day. Without a doubt, Serling was a trailblazer and a maverick. The genius behind the original “Twilight Zone” series was its creator, narrator, producer, and prolific writer Rod Serling. ‘Twilight Zone’s’ Creator Wasn’t A Social Justice Warrior Instead of inviting us to explore the human condition as peers, it shows contempt for characters and viewers alike. In place of three-dimensional characters, there are only caricatures. But like the nitpicky opening sequence switch, the recreators have performed verbal acrobatics to insert a political agenda where it does nothing to serve the plot. There’s nothing wrong with trying to give screen time to underrepresented groups. What on earth does any of this have to do with the story? Nothing, and that’s the problem. The only one who resists is a gay teenage boy.
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